East Bay Poetry Summit

20130304145923-East-Bay-Poetry-SummitWith the plummeting of arts funding and the general disappearance of public space, salon-style events (“house readings”) are taken very seriously in the Bay Area; performing at one can garner more kudos than at a public venue. House readings frequently take place on the weekend and are just as devoted to partying as to poetizing. When the reading begins the party slams to a halt and attention is rapt.

The atmosphere may be casual—those not lucky enough to snag a seat on a couch are crammed together on the floor, some are sprawled across a mattress that somebody—who knows who—actually sleeps on, but this audience knows poetry, and they listen with razorlike precision. At such readings, whether I’m performer or audience, I feel like a beat in a larger matrix of communal creativity.

  —Dodie Bellamy

To celebrate the long tradition of non-institutional spaces for poetry and writing in the Bay Area, poetry darlings Brittany Billmeyer-Finn, David Brazil, Brandon Brown, David Buuck, Zach Haber, Andrew Kenower, Cheena Marie Lo, Kate Robinson, and Juliana Spahr are throwing a looong weekend party of poetry goodness.  They’ve invited many poets from around the US (list below) to converge on the Bay Area to give readings, lead conversations, mix cocktails, and teach and learn from each other. For folks coming from out of town, we are asking that the poetry community can pitch in and help with the cost of their travel. All the readings and events will be absolutely FREE! so any help you can provide would be critical to help poets with the burden of travel costs.

Go to their indiegogo page, check out the amaze rewards, & make a contribution.

& check out the Facebook Event Page while you’re at it.

READING SCHEDULE

Friday, May 24th, 7pm
2127 Blake St, Berkeley, CA

Uyen Hua
Douglas Rothschild
Melissa Buzzeo
Jen Hofer
David Wolach
Saturday, May 25th, 4pm 
Long Haul: 3124 Shattuck Ave, Berkeley, CA

Cassie Smith
Sue Landers
Matthew Timmons
Katy Bohinc
Frank Sherlock

6pm 
Potluck at Woolsey Heights: 1628 Woolsey St, Berkeley (house in back)

8pm
Reading

Bhanu Kapil
Andrew Durbin
John Coletti
Jared Stanley
Dolores Dorantes
Jenn McCreary

Sunday, May 26th, 3pm
The Public School: 2141 Broadway, Oakland

Anne Boyer
Anna Vitale
Laura Henriksen
Sophie Sills
Frank Montesonti

7pm
Tender Oracle: 531 22nd St, Oakland

Maged Zaher
Matt Longabucco
Dawn Lundy Martin

Monday, May 27th
BBQ at David Buuck’s. (location TBA)

JnDglsJnn

This Saturday, in the Rose Room at Snockey’s Oyster House in Philadelphia, I will be reading with two extraordinary poets: the fantastic writer & publisher JenMarie MacDonald, & (visiting from Albany) the truly incomparable Dgls N. Rthsjchld.

There will be poetry.  There will be oysters.

If you are in Philadelphia, please do come.  If you are not in Philadelphia, I am especially sad for you.

Saturday, April 13th, 8pm
Snockey’s Oyster & Crab House
2 Washington Avenue, Philadelphia

FRANK O’HARA’S LAST LOVER presents:
JenMarie MacDonald
Jenn McCreary
Dgls N. Rthsjchld

***

JenMarie Macdonald is half of Fact-Simile Editions and the author of Sometime Soon Ago (Shadow Mountain Press) and co-author with Travis Macdonald of the forthcoming chapbook Graceries (Horse Less Press).

Jenn McCreary is the author of :ab ovo: (Dusie Press, 2009), & of several chapbooks, most recently Odyssey & Oracle (Least Weasel Press, 2011). A new full-length collection, & now my feet are maps, is forthcoming from Dusie in 2013. She lives in Philadelphia where she co-edits ixnay press, wrangles twins, & charms snakes.

Dgls N. Rthsjchld is the author of one or two bits of self-indulgent fluff; most notably THEOGONY–{A book in which he simultaneously debunks the two most extreme thrusts of the of contemporary american poetry: the self-aggrandizing & dreadfully overwrought hystorionics of the “Perf-Po”[tm] SLAM [tm] scene; & the overblown disingenuously self-proclaimed ‘genious’[tm] of the Phlaurgh [tm] — Notionalist [tm] conceptualizing of the all too happily self-congratulatory & isolationist movement of the elitist avant-garde.}

Most recently he has engaged on a 10 year-long project in which he intends to manifest in his own life the inner narrative of the Odyssey. At his feet are maps, by his sleeping head, a beach full of fitfull tears is forthcoming.

The Next Big Thing: Rachel Blau DuPlessis

Rachel_2-05Rachel Blau DuPlessis was tagged by Jennifer K. Dick to play the poetry-game that is The Next Big Thing  & answered questions about Surge, coming this spring from Salt Publishing.

What is the working title of the book?

The title of this book is Surge: Drafts 96-114. In the series of titles for the books, it’s Toll, Pledge/Précis, Torques, Pitch, Surge. Plus the two visual poems: The Collage Poems of Drafts.

Where did the idea come from for the book?

This book is the apparently “last” but not “final” book of Drafts–a long poem in individual cantos. I’m not sure what that observation will mean in practice, but that’s the way I’ve said it. The idea for Drafts came to me more than two decades ago as a conjuncture of forces and materials and–again–the intense “hit” of the over-arching title, talking about provisionality and solidity at the same time. Drafts is like one self-different poem being written over and over in the same spot—this is my ultimate metaphor for it. There is no narrative, no plot outline, and in terms of seriality (building an argument inferentially, by leaps and movement)—it works only in the most general way. It is not about a personal story, or an expressivist narrative of realizations. It’s a series of explorations into the world and into  the “it” of everything. The scale change from the little dot of “I” to the magnitude of “it” is what interests me.

Drafts has been a tremendous experience and commitment for me for 26 years. The notion of a “last” book is as unstable as the word “draft.” In a Steinian possibility–ending is also beginning. I have been writing some other things this year that seem to be growing from Drafts as a concept.

What genre does your book fall under?

Poetry–in an expanded sense.

What actors would you choose to play the part of your characters in a movie rendition?

Answer 1) Gosh–since I don’t have characters, I can’t even begin to think of this. I mean, I could snark it up to answer, but why bother.

Answer 2) There’s no “movie” here but there IS a lot of montage. Maybe the two characters are IS and IT, and we all “play” them every day.

Answer 3) You know that over the years, I’ve talking or talked back to a number of poems and poets in Drafts. In Surge, there are works that explicitly evoke the following people: Blaser, Dante, Duchamp, Eliot.  So those folks are, briefly, shadow “characters” here, or maybe they are allusions or traditions–well, what can I say!

What is the one sentence synopsis of your book?

Every one of these “last” nineteen poems in Surge is in a double mode: each has some aspect of doubleness—a gloss, a commentary, substitute words, italic shadows.

How long did it take you to write the first draft of the manuscript?

The nineteen poems in this manuscript are dated between 2008 and 2012. So that’s four years. Otherwise–the answer is “a lifetime to date.”

Who or what inspired you to write this book?

The vow I made to the on-goingness of this poem to reach 114 / 115 full scale works; the grid or net of relationships among the poems; the mysteries of provisionality; the sense of the world as such–political, existential, and ontological.

What else about your book might pique the reader’s interest?

People’s curiosity about the nature and outcomes of this project. You can begin anywhere and read in any direction.

Will your book be self-published or represented by an agency?

Salt Publishing  will be publishing this book soon, in April or May 2013. The cover is a collage by me.

My tagged writers for next Wednesday are:

Beverly Dahlen

Jena Osman

Erín Moure

Hank Lazer

Brian Teare

I put my kid on speed.

A recent Facebook conversation about a(nother) controversial New York Times piece on the prescribing of  Ritalin to children generated the comment “I totally disagree with drugging young children, putting them on speed.”

To which I would reply: sing it, sister.

I would never put my kid on speed.

Except I did.

M is super bright.  His IQ is off the charts.  He’s artistic, & sensitive, & intense.  He has lots of big feelings.  He struggled for years in school with impulse control, with paying attention, with keeping focus when there were any distractions — like not having all the blinds on all the windows pulled all the way down, or the number of white daisy barrettes in the hair of his seatmate.  The older he got, the more upsetting it was for him – he couldn’t understand why he couldn’t control his behavior, & it made him feel bad — the trying to, & the failing.  Worse, it made him feel scared– the lack of control over his feelings, & his body.  He would become hysterical, weeping, hyperventilating, “why can’t I stop crying, I can’t calm down, what’s wrong with me?” over, say, a LEGO ship construction gone wrong, or a broken banana.

& so we tried lots of things.  Combinations of things.  Elimination diets – purging artificial colors, artificial flavors, high fructose corn syrup, animal products.  Supplements – vitamins, minerals, omega-3 oils.  Testing.  Meetings with the school principal, psychologist, his teacher, IEP leader, counselor, all of whom were doing backflips to accommodate him.  The psychologist mentioning medication therapies & the principal cutting him off with, “That should only be a LAST resort!”  Because, duh.  I would never medicate my kid.

& then one afternoon, meeting with M & his pediatrician – after discussing the testing & the trying & the diet & the supplements, & do we go full Feingold? can we go full Feingold? – his pediatrician,  a doctor & mother I chose because I respect & like & trust her, said, “You know, I wouldn’t offer this if you were asking for it, but there are medications.  & Ritalin has been around for decades now.  & I’ve been prescribing it to some of my patients over the past twenty years, & for a certain type of kid, it works very well. & I think it might work for M.  & you can think about that, & let me know if you want to try it for a bit & see if it helps.”

& the next morning, as I was adding omega-3 oil to his organic orange juice, M said, “So, can we try that medicine?”

& I said, “You know, I think we’ll keep trying the omega oil for a while?  & the diet? Because that medicine could have side-effects.  It could make you feel flat, or drowsy, or hurt your stomach…”  Or make your heart explode!  I will not put my kid on speed!

& he said, “But if I don’t like how I feel on it, couldn’t I just stop taking it?  Can’t we just try it & see?  Because I don’t think the other stuff is working.  I’m trying really hard, & it’s just not working.”

So we tried it.  With me beating myself up about it, every fucking step of the way, embarrassed/ashamed to tell my family, my friends, other parents at pickup from school, or at the playground, that I was medicating my child.  Because I would never medicate my child.  I would never put my kid on speed.

I put my kid on speed.  Starting on a weekend, so I could watch his every move, from the moment he swallowed the first green & white capsule.  So I could wait for his eyes to go glassy, for his behavior to become robotic.  So I could periodically put my hand over his small sternum, trying to gauge whether his heart was beating harder than usual.

I put my kid on speed.

I give my child a time-release formula of the lowest available dose of Ritalin with his breakfast, which wears off at about 3pm, as his school day is ending.  He normally doesn’t take it on the weekends, or over breaks from school, or over the summer.  But almost immediately after starting the dosage, his teachers saw a difference, & so did he.  & so did we.  He says it’s like turning off the background noise so he can focus on what he wants to do.  Instead of being zombified, he’s somehow more – him.  He still has big feelings, but generally he’s happier, because he feels more in control of the feelings & they aren’t as scary.  His grades all went up within the first marking period of starting the medication, & he’s made honor roll all year; that makes him happy.  He rarely gets behavior notes anymore, while he used to get several every week; that makes him happy, too.  His creativity hasn’t suffered – if anything, he’s more prolific, writing stories in longhand during the day, & then typing them into the computer when he gets home.

He sees his doctor to check his blood pressure & his heart.  & I’m hopeful, as is his doctor, that he’ll grow out of the medication & into his race-car of a brain — that by continuing to monitor his diet, modify/structure his routine, that the medicine will be a short-term piece of the puzzle.  & I believe that any sort of drug we give our kid – whether it’s Tylenol or Ritalin or Benadryl or Zoloft – should be very carefully considered.  & I’m grateful for this drug, now, because my kid was suffering.  & now he’s not.

All My Pretty Ones

Here are the lovelies I tagged for The Next Big Thing — enormous thanks to them for being game & playing along.  Be sure to check out their blogs, their answers, & their new books.

Susana GardnerThere is certainly a female voice, but she is shifty and only ever constant in what she doesn’t want.

Mark LamoureuxI decided that I would write some poems mimicking the formal characteristics of the candies to give myself a catalyst for the project.

Ethel RackinThe book’s objects—trees, chocolate, wheelbarrows, a ship on the sea, nightgowns, rug samples, a garden, a femur bone, cookies, a blind bird, curbs, scotch—are its leading actors, as in Robbe-Grillet’s La Jalousie.

Hassen Saker:  When I started gathering them together it formed a kind of cinematograph wherein the images were recorded, developed & projected by the same contraption – so I continued in the voice & on the theme for the next ten years. 

Elizabeth ScanlonAs a non-driver in a car-centric world, I walk long distances on a regular basis and I find that the poems I begin while walking often call into play the feeling of moving through loss, of working through ideas that do not sit well.

Anselm Hollo : April 12, 1934 – January 29, 2013

i.m. Hannes Hollo, 1959-1999

by Anselm Hollo

Fought the hungry ghosts here on Earth
“What is man?” asked the King
Alcuin’s reply: “A guest of space.”   And time yes time:
The past lies before us, the future comes up from behind
Walking on Primrose Hill or Isle of Wight beaches
Iowa City streets scrambling up snow-covered deer track
To Doc Holliday’s grave in Glenwood Springs
His helmet now shall make a hive for bees
He fought the hungry ghosts here on Earth
Strong & resourceful on his best days,
Patient kind and presente
Returning those with him to here & now
But just as we settle in with our Pepsi and popcorn
THE END rolls up   too soon   always too soon

Listen to him read here: PennSound.

The Next Big Thing!

The fantastic Sandra Simonds tagged me to take part in The Next Big Thing, a series of self-interviews with writers which operates much like a zombie contagion— each writer tagged then infects another set of writers, until we are Zombie Poet Nation.  Or maybe it’s like Six Degrees of Kevin Bacon, in which we will all be connected, but through a series of interviews rather than by association with the movie Diner. Or maybe it’s like that commercial Heather Locklear did in the 80s, where she told two friends about Fabergé Organics shampoo, & then they told two friends, & so on, & so on…

The questions are the same for everyone. The answers, they are not.

What is the working title of the book?

& now my feet are maps

Where did the idea come from for the book?

The idea for the book was born out of the books read at bedtime with my nine-year old sons, Caleb & Malcolm, which heavily skew to fairytale and folklore– how they resonated with me as an adult, how they rekindled  my childhood indignation at the treatment/fate of certain female characters.

What genre does your book fall under?

Poetry.

What actors would you choose to play the part of your characters in a movie rendition?

Charlotte Gainsbourg & Marianne Faithfull, with Guillermo del Toro directing.  Assorted monsters constructed by Jim Henson’s Creature Shop.  Soundtrack by Jarboe.  There would also be a comic book by Dame Darcy & a video game by Tale of Tales, in the style of The Path and 8.

What is the one sentence synopsis of your book?

In a fairytale, when you / think you’re out of the woods / you’re not.

How long did it take you to write the first draft of the manuscript?

Probably about a year and a half to write & another year of revising & tweaking.

Who or what inspired you to write this book?

Doomed/ill-treated heroines of children’s literature, especially Susan Pevensie (from the Chronicles of Narnia), Wendy Darling (from Peter Pan), Gerda (from The Snow Queen), & The Little Mermaid (the Hans Christian Andersen character, not the Disney Princess).

What else about your book might pique the reader’s interest?

This book project is ultimately concerned with the overarching issue with which I seem to wrestle in all of my work– the woman at the center of the heroic quest:  as healer/caretaker, as mother/lover, as maiden/witch/crone.  Fairytale & folklore here provided the lens through which this larger issue is examined, dissected, & reassembled.

Will your book be self-published or represented by an agency?

It will be published by Dusie Press this spring!

My tagged writers for next Wednesday are:
Susana Gardner
Hassen Saker
Mark Lamoureux
Ethel Rackin
Elizabeth Scanlon